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Thomas Soltani, Ensemble Stravaganza and Domitille Gilon – Abendmusiken [Buxtehude, Erlebach, Reinken, Theile] (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 50:59 minutes | 1006 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Muso
From the middle of the sixteenth century the reputation for excellence of the composers of Northern Germany was well established. Given dynamism by commercial exchanges thanks to the bustling activity of the port of Hamburg notably, the cities of the Hanseatic League welcomed many foreign workers, their customs inspiring the artistes of the Germanic tradition. At the end of the seventeenth century, Hamburg was a free city sheltered from war, a refuge for artistes and for great fortunes. It was then the most cosmopolitan city in Germany and its population included a great number of merchants, bankers, diplomats and senators, so many men who were rich and who had the time necessary for enjoying music and for encouraging this flourishing art.
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Ensemble Stravaganza – Biber, Schmelzer, Mealli, Böddecker (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 49:21 minutes | 977 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © NoMadMusic
This fourth album in the “Solo” collection, highlighting the individual talents of the Orchestre national d’île-de-France, is brought to life by the violinist Domitille Gilon, co-founder of the Stravaganza Ensemble. A true testimony to the musical life at the Habsburg court, swirling with virtuosity, it brings together around Biber the composers Schmelzer, Mealli and Böddecker, key figures in the Baroque repertoire.
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Ensemble Stravaganza – Corelli: Sonatas (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:21 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Aparté
The epitome of Italian music for strings.
The name of Corelli dominates a crucial period in the history of instrumental music. During the years 1681 to 1713 the Preclassical sonata and concerto grosso reached a degree of maturity which bacem a designated model for all composers of his generation. At the same time, his work entirely devoted to bowing and performance became the violin teaching guide for nearly a century at various European schools, and whose first elements are still the basis of today’s techniques. This new recording of all Stravaganza, highlights, under the bow of Domitilla Gilon and Rie Kimura, subtleties in the art of the “prince of violinists” without whom the composers of Baroque Europe could not have give us so many jewels.