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Cannonball Adderley Quintet – Cannonball Adderley Quintet (2018)
FLAC (tracks) 24 bit/192 kHz | Time – 38:33 minutes | 1,46 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © 2xHD
This 1959 album captured a famous date indeed, with Cannonball and brother Nat leading the way through This Here among other tunes. Throughout the decade when pop ruthlessly swept jazz aside, the Adderley brothers managed to stay in business with their distinctive “spirit of the south” – an optimistic, life-affirming style of modern jazz, bursting with colour yet steeped in the blues. The Liederhalle concert was the highlight of the Cannonball Adderley Quintet’s 1969 European tour.
From soul and blues (Sweet Emma, Oh Babe) to free-form contemporary (The Painted Desert) and lollypops cleverly combined with commercialism ((Work Song), the audience that night witnessed the sublime art of the quintet
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Cannonball Adderley & Bill Evans – Know What I Mean? (1962/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 40:16 minutes | 874 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Concord Records
Know What I Mean? is a 1962 album by jazz musician Julian “Cannonball” Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433.
Barely noticeable on the album cover is a small picture of Bill Evans, directly underneath the sculpture (from Bertha Schaefer Gallery) to Adderley’s right.
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Cannonball Adderley – Waltz For Debby (Know What I Mean?) (1961/2020)
FLAC (tracks) 24 bit/96 kHz | Time – 42:43 minutes | 791 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Although they worked together intensively as members of the 1958-59 Miles Davis Sextet (also featuring John Coltrane in the frontline), Cannonball Adderley and Bill Evans only collaborated on three projects together without Miles. This release presents in their entireties the two small group albums: Know What I Mean?
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Cannonball Adderley – Swingin’ in Seattle – Live at the Penthouse 1966-1967 (Remastered) (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:03 minutes | 1,44 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Real To Reel Recordings
Reel to Real Recordings is proud to announce the label’s co- inaugural release, Swingin’ in Seattle: Live at the Penthouse (1966-1967), a scintillating set of previously unissued live recordings of the Cannonball Adderley Quintet featuring Cannonball’s brother and cornetist Nat Adderley, pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy recorded over the course of 4 nights between 1966 and 1967 at the legendary Penthouse jazz club in Seattle, Washington. This is the very same band that recorded the classic Mercy, Mercy, Mercy! Live at “The Club” album on Capitol Records on October 20, 1966, and it captures the quintet in rare form at the height of their most powerful swingin’.
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Cannonball Adderley – Cannonball’s Bossa Nova! (1962/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:15 minutes | 1,43 GB | Genre: Bossa Nova, Latin Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Cannonball’s Bossa Nova is a 1962 album by jazz musician Julian “Cannonball” Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
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Cannonball Adderley – Bohemia After Dark (1955/2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 47:05 minutes | 441 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955
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Tarja Turunen – An Empty Dream (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 24:04 minutes | 267 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © earMUSIC
“An Empty Dream” is a song by the Finnish soprano Tarja Turunen, taken as the first single from her EP The Brightest Void, even though it was originally a part of the soundtrack of the 2015 Argentinian horror film Corazón Muerto directed by Mariano Cattaneo. The song was released in a digital format on June 23, 2017, more than a year after the release of The Brightest Void…
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Tanja Dankner – Swingness (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 37:23 minutes | 447 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Zytglogge Verlag
Tanja Dankner’s outstanding voice, Pepe Lienhard’s unique Swingness Big Band – and an exclusive selection of the greatest Swiss hits of all time: Swissness and swing are so elegantly and stylishly combined to SWINGNESS, a real blast!
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Tamara Stefanovich & Pierre-Laurent Aimard – Visions (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:45 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
Visions offers Tamara Stefanovich and Pierre-Laurent Aimard’s return to Pentatone, presenting a programme revolving around Messiaen’s intoxicating Visions de l‘amen for two pianos. This centrepiece is surrounded by Enescu’s Carillon nocturne, Knussen’s Prayer Bell Sketch and Clock IV from Birtwistle’s Harrison’s Clocks. The works performed all share a fascination for the sound of bells, and Stefanovich and Aimard invite the listener on a mesmerizing acoustic journey.
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Talich Quartet – Dvořák American Quartet, 8 Waltzes (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:50 minutes | 1,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Dolce Volta
Fascinated by the folklore of his native Bohemia, and gifted with inexhaustible melodic inventiveness, Antonin Dvorak went through several creative periods as he gradually broke out of the Classical mold; the last of these was deeply influenced by the years he spent in the United States. His kindness and optimism set him apart from the other great Romantics, darker and more tormented in character, and contributed to the unique charm and accessible character of his music, which have earned him justified popularity.
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Talea Ensemble & José Luis Hurtado – José Luis Hurtado: Parametrical Counterpoint (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 50:00 minutes | 504 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Kairos
In my sound world, music is not created, but discovered. The environment is explored, the space is palpated, the details are observed, and the object is experienced from different angles so that, gradually, its physiognomy is exhibited. Like an alchemist who values, evaluates, and carefully calculates his materials to make them react, my intention is to create kaleidoscopes of sounds, effervescent objects, always alive, always changing, with unique and unrepeatable gestures, full of energy, and impenetrable density. (Jose-Luis Hurtado) This album combines solo piano works with ensemble pieces of various nature and gives the listener a chance to explore Hurtado’s artistic world, exquisitely performed by the renowned Talea Ensemble and the composer himself.
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Takuya Niinomi – Schmachtend: A Tribute to Richard Wagner (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:59 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © sonorité
Takuya Shinnomi [1988-] is an up-and-coming resident of Budapest.After graduating from International Christian University and Hitotsubashi University Graduate School, I studied at the Liszt Conservatory of Music.This album is a tribute to Richard Wagner, who plays “Wagnerian” Niinomi with deep empathy and insight.It includes Liszt, Wagner’s opera transcripts by Kochisch and others, Wagner’s own rare piano pieces, and Liszt’s memorial work.Niinomi’s performance has a bird’s・eye view and a large scale, and combined with the tuning of master Yokoyama Peter, it exudes a sense of color and depth like an orchestra.2021 year 8 month, one point recording at Inagi City i Plaza (Engineer: Kitami Genichi).The liner notes written by Niinomi himself are also a must-read.
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Taíssa Poliakova Cunha & Quarteto Lopes-Graça – Portuguese Tributes to Beethoven (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:08:50 minutes | 641 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Toccata Next
These three compositions by three Portuguese composers pay direct and indirect tribute to the music of Beethoven. The Piano Quintet by João Domingos Bomtempo was written in the style of the Viennese Classical mainstream even as Beethoven was changing its direction. The two works by César Viana and Jaime Reis both have distant roots in Beethoven but pay their homage in very different styles, one using relatively traditional language and the other more radical – as was Beethoven himself, of course.
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Cannibal Corpse – Violence Unimagined (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 42:53 minutes | 1,00 GB | Genre: Metal
Studio Masters, Official Digital Download | Front Cover | © Metal Blade Records
Violence Unimagined. The title tells you everything you need to know about Cannibal Corpse’s fifteenth hellish opus. Comprised of eleven tracks, it is state of the art death metal played with passion and breathless precision, making for another flawless addition to what is inarguably one of the premier catalogues the genre has thrown up. “It really follows the path we’ve been going down for a few years now,” states bassist and founding member Alex Webster. “I think we approach the writing in a similar way most every time: each of us try to write the heaviest, most memorable songs we can. We want each song to have its own identifiable character. Showing my age, I like to say you can ‘drop the needle’ on any point of one of our albums and quickly tell which song you’re listening to.”
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Canned Heat – Songs From The Road (2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:18:01 minutes | 895 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Ruf Records GmbH
The world turns. Fashions change. Bands rise and fall. But you can’t stop the boogie. Fifty years after Canned Heat was founded by blues scholars Bob ‘The Bear’ Hite and Alan ‘Blind Owl’ Wilson in Topanga Canyon, California, the West Coast legends just keep rolling on down the road. “We’re all amazed and thankful that we’re still here,” explain the band, “living our dreams of making a living doing what we all love. Playing the blues, travelling the world and giving a taste of the boogie to audiences everywhere.”
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