Bayreuth Festival Chorus and Orchestra, Christian Thielemann – Richard Wagner – Die Walküre (2010) Blu-ray 1080i DTS-HD.MA.5.1

Title: Bayreuth Festival Chorus and Orchestra, Christian Thielemann – Richard Wagner – Die Walküre
Release year: 2010
Genre: Classical

Released: Opus Arte
Duration: 03:55:30
Quality: Blu-ray
Container: BDMV
Video codec: MPEG-4 AVC Video
Audio Codec: LPCM, DTS-HD Master
Video: MPEG-4 AVC Video / 17498 kbps / 1080i / 29,970 fps / 16:9 /
Audio # 1: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio # 2: English / DTS-HD Master Audio / 5.1 / 48 kHz / 3917 kbps / 24-bit
Size: 45.06 GB

Christian Thielemann, by common consent the leading Wagner conductor of our time (Die Presse), returns to Bayreuth for this radiant account of Die Walküre filmed at the 2010 Festival. Appearing on DVD and Blu-ray for the first time, it provides the only audio-visual document of Tankred Dorsts Ring production, and follows the hugely successful release of the whole cycle on CD. Two new singers join the cast: Johan Botha as Siegmund, who was showered with praise by the press (ideal vocal casting in the words of the critic on the Frankfurter Allgemeine Zeitung) and Edith Haller, with her beautiful, strong soprano voice (Süddeutsche Zeitung) as his sister and lover Sieglinde.

Recorded live at the Bayreuth Festival, 21 August 2010.

Johan Botha – Siegmund,
Kwangchul Youn – Hunding,
Albert Dohmen – Wotan,
Edith Haller – Sieglinde,
Linda Watson – Brünnhilde,
Mihoko Fujimura – Fricka,
Sonja Mühleck – Gerhilde,
Anna Gabler – Ortlinde,
Martina Dike – Waltraute,
Simone Schröder – Schwertleite,
Miriam Gordon-Stewart – Helmwige,
Wilke te Brummelstroete – Siegrune,
Annette Küttenbaum – Grimgerde,
Alexandra Petersamer – Rossweisse

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Nine Inch Nails – Hesitation Marks (Deluxe Version) (2013) [Official Digital Download 24bit/48kHz]

Nine Inch Nails – Hesitation Marks (2013) [Deluxe Version]
FLAC (tracks) 24 bit/48 kHz | Time – 2:01:36 minutes | 1,38 GB | Genre: Rock
Official Digital Download – Source: HDTracks.com | © Columbia

“It’s grand and disquieting, creepy and meticulously realized, minimalist and overstuffed. It’s one of the best albums of the year and NIN’s finest work since at least 1999’s The Fragile.”

–Allison Stewart, The Washington Post, September 2, 2013

…Hesitation Marks is more electronic than 2008’s muscularly strummy The Slip; the opening of the most classically NIN track, “Copy Of A,” is pure acid techno. Reznor’s vocals come from down a hole, an inch away from the speaker or the fifth ring, toying with the listener’s sense of personal space as always. But this time when that closing piano tinkles in, it sounds peaceful, not ironic.

–Kerri Mason, Billboard magazine

Hesitation Marks is the eighth studio album by Nine Inch Nails, and their first release since 2008’s The Slip, and the first release on a major record label since 2007’s Year Zero. This is NIN’s first release on Columbia Records. The album title is a reference to hesitation wounds, which are produced by testing a bladed weapon before inflicting self-harm or attempting suicide. This deluxe edition of Hesitation Marks was mastered at 48kHz/24-bit and has a greater dynamic range than the standard edition (Note from HDTracks).

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George Strait – Honkytonkville (2003) [DVD-Audio ISO]

George Strait – Honkytonkville
Artist: George Strait | Album: Honkytonkville | Style: Country, Folk | Year: 2003 | Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, MLP 2.0 96kHz/24Bit, Dolby AC3 5.1) | Bitrate: lossless | Tracks: 12 | Size: 3.71 Gb |  Covers: in archive | Release: MCA Nashville (B0001620-19), 2003 | Note: Watermarked

The release of Honkytonkville should make anyone who harbored insane thoughts about George Strait having his best years behind him certifiable. While it may be his 27th album — not counting greatest-hits and Christmas records — Strait sounds hungrier than ever here. Produced by Strait and Tony Brown, the tough barroom ballads and breakneck dance tracks are back with a vengeance, and the material, written by the more imaginative tunesmiths in Nash Vegas, is his strongest in a decade. A quick for-instance is the jukebox-breaking opener, “She Used to Say That to Me,” penned by Jim Lauderdale and John Scott Sherrill. Done is a slick 4/4 with a Wynn Stewart-esque melody line and a lyric that’s as tender as it is tough, Strait wraps that voice of his around all the pain in it and comes out still standing. The title track, written by Buddy Brock, Dean Dillon (who is well represented here), and Kim Williams, is a fiddle-laden traditionalist anthem to the ghosts of people and places gone yet ever present. “Look Who’s Back in Town,” with its gorgeous piano lines (reminiscent of a Billy Sherrill production) sounds like a country version of Johnny Rivers’ “Poor Side of Town,” while everybody had better watch it because “Cowboys Like Us” could signal a return to outlaw country. The weepers work too, such as “Tell Me Something Bad About Tulsa,” the Guy Clark-inspired “Desperately” by Bruce Robison and Monte Warden, and the soul-country of “Heaven Is Missing an Angel.” But the barnburner on this one is “I Found Jesus on the Jailhouse Floor.” It may be a gospel song, but it’ll have the honky tonky line dancers pounding the beer before sweating it out on the dancefloor on the Saturday night before Sunday morning. It is completely conceivable to hear this song being done by Merle Haggard’s Strangers in 1967 or by Buck Owens in 1969. “Honk if You Honky Tonk,” another Dillon joint, is harder rocking than anybody but Montgomery Gentry — and they will kick themselves for not recording it first. If the DJs at country radio can hear, they’ll be playing the hell out of this one — it’s got five or six singles if it has one. Not that Strait was ever anything but country; this is the first hard country album of 2003, and he’s got the torch burning bright for the tradition while not giving up an inch of his modernity. (more…)

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Otis Redding – Live At The Whisky A Go Go: The Complete Recordings (2016) [Official Digital Download 24bit/96kHz]

Otis Redding – Live At The Whisky A Go Go: The Complete Recordings (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 04:47:27 minutes | 6,14 GB | Genre: R&B, Soul
Studio Masters, Official Digital Download  | Artwork: Digital Booklet | © Concord Records

Stax Records, an imprint of Concord Bicycle Music, is pleased to announce the release of Otis Redding – Live At The Whisky A Go Go: The Complete Recordings. In chronological order, this six-CD collection presents the entirety of Redding’s historic performances over three nights at the famed Sunset Strip venue. The seven sets, recorded Friday, April 8th – Sunday, April 10th, 1966, feature the singer’s popular songs of the time, including “Respect,” “I’ve Been Loving You Too Long” and his cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Several of these recordings–all remixed and remastered from the original 4-track analog tapes–will be made available for the very first time on October 21. In fact, this collection will be the first to offer fans the chance to relive all of the sets in their entirety–including between-song banter by Redding–exactly as they were performed. Rounding out the package is a poster, plus new liner notes from Los Angeles-based journalist Lynell George and box set co-producer Bill Bentley.

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Barenaked Ladies – Are Me: Deluxe Edition 5.1 (2006) [DVD-Audio ISO]

Barenaked Ladies – Are Me: Deluxe Edition 5.1
Artist: Barenaked Ladies | Album: Are Me | Style: Rock, Pop Rock | Year: 2006 | Quality: DVD-Audio (MLP 5.1 88.2kHz/24Bit, MLP 2.0 88.2kHz/24Bit, Dolby AC3 5.1 48kHz/16Bit, Dolby AC3 2.0 48kHz/16Bit) | Bitrate: lossless | Tracks: 13+16 | Size: 4.14 + 5.37 Gb | Recovery: 3% | Covers: in archive | Release: Desperation Records (9-43289), 2006 | Note: Not Watermarked

Continuing in the mature, reflective vein of 2003’s Everything to Everyone, the Barenaked Ladies’ seventh studio album Barenaked Ladies Are Me features more of the band’s trademark wit and melodic folk-rock. Never straying too far afield from the formula they’ve been using ever since their breakthrough 1998 album Stunt, Barenaked Ladies are true torchbearers for the post-R.E.M., post-Smiths sound that shares much in common with such bands as Beautiful South, They Might Be Giants and even Sloan. Once again, lead vocal duties are largely split between Steven Page and Ed Robertson although both pianist/guitarist Kevin Hearn and bassist Jim Creeggan take the lead here on their original tunes “Vanishing” and “Peterborogh and the Kawarthas,” respectively. Interestingly, these tracks, along with Hearn’s “Sound Of Your Voice”, are some of the best on the album with both musicians displaying a true knack for writing heartfelt, literate and tuneful songs about leaving those you love, whether they are your wife or young son. Elsewhere, the band’s gift for mixing the humorous and the poignant is evident on such eminently catchy tracks as “Bank Job,” “Bull in a China Shop’,” and “Rule the World with Love.” For a band 16 years into its career, it’s great to hear an album so full of sparkling, positive-minded songcraft and thoughtful revelations. (more…)

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Paul McCartney – Tug Of War (1982) [Deluxe Edition 2015] {Official Digital Download 24bit/96kHz + 24bit/44,1kHz}

Paul McCartney – Tug Of War (1982) [Deluxe Edition 2015]
FLAC (tracks) 24-bit/96(44,1) kHz | Time – 72:28 minutes | 1,18 GB | Genre: Rock
Studio Master, Official Digital Download – Source: Unknown | Artwork: Digital booklet | © Hear Music

Tug of War, originally released in 1982, is the first album following the break-up of Wings and the third solo album by Paul McCartney. The album was produced by George Martin and includes numerous guest musicians, including Stevie Wonder, Carl Perkins, and Ringo Starr. Hailed upon its release as “exquisitely crafted” by The New York Times and a “masterpiece” by Rolling Stone, Tug of War reached #1 on both the US and UK charts and received a Grammy nomination for “Album of the Year” in 1983. (more…)

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Anathema – Weather Systems (Bonus DVD) (2012) [DVD-Audio + Audio-DVD + FLAC 5.1]

Anathema – Weather Systems (Bonus DVD)
Artist: Anathema | Album: Weather Systems | Style: Progressive-Rock, New Prog | Year: 2012 | Quality: DVD-Audio (PCM 48kHz/24Bit, Dolby AC3 5.1, 48kHz/16Bit) + Audio-DVD (Dolby AC3 5.1, 48kHz/16Bit) + FLAC 5.1 (.flac+.cue, 48kHz/24Bit) | Bitrate: ~448 kbps + lossless | Tracks: 9 | Size: ~201 Mb + 1.9Gb + 2.98 Gb | Recovery: 3% | Covers: in archive | Release: Kscope (KSCOPE206), 2012 | Note: Not Watermarked

After Falling Deeper, Anathema’s orchestral detour into greatest hitsville, the Liverpool band return with a true follow-up to We’re Here Because We’re Here. What Falling Deeper accomplished was to make the band comfortable with the string arrangements of Dave Stewart; they’re used abundantly — and to great benefit — on Weather Systems (produced by Christer-Andre Cederberg with Daniel and Vincent Cavanagh). Guitarist Daniel has written a set of songs that are more daring, harmonically ambitious, and poetically sophisticated than anything he’s previously attempted. Vocalist and occasional keyboardist Vincent arranges them for drummer John Douglas, vocalist Lee Helen Douglas, and help from Cederberg on bass. Piano, acoustic, and electric guitars continue to dominate Anathema’s latter-day sound, but strings are now an immense part of their textural architecture. Anathema’s brand of 21st century prog embraces pop’s grandest scales and accessibility without mindless kitsch, shallowness, or phony detachment. This material, which is lyrically on the heavy end of the emotional scale, is offset by the sheer beauty of the compositions and orchestrations. The album explores the range of human emotions regarding death — the acceptance of its inevitability and the transcendence of the fear it engenders — which illuminates these nine songs. According to Daniel’s lyrics, it’s the ferocity of love that both bridges the mortal divide and renders fear impotent. While on the surface the piano and acoustic guitar intros on most of these songs may seem to be repetitive, they are merely feints, serving as guideposts to vast interiors, musically, sonically, and lyrically. It’s a gorgeous whole, but there are standouts. The two parts of “Untouchable” feature Vincent and Douglas on alternate, contrasting leads. The first part is mostly driven by guitars and drums with strings added for depth; the second is drenched in strings and becomes the first part’s mirror image. “Lightning Song” features Douglas. Her crystalline vocal helms the track as it gradually gathers intensity until explosive electric guitars transform it into an anthem, yet she rises above to carry it home. “Sunlight” begins quietly, but its drums and electric guitars gather into a storm force, yet the hook remains transparent. Closer “Internal Landscapes” — introduced with ambient electronics and a field recording of a near-death experience — breaks free from its initial weightiness with its sheer musicality and honest emotional expression from Vincent and Douglas. Weather Systems stands with Anathema’s finest work. They’ve not only escaped the limitation of expectations, they’ve exceeded them. (more…)

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The Piano Guys – Wonders (2014) [Official Digital Download 24bit/44,1kHz]

The Piano Guys – Wonders (2014)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 00:47:46 minutes | 482 MB | Genre: Classical, Avant-Garde
Studio Masters, Official Digital Download – Source: Q0buz | ©  Portrait Records/Sony Music

The Piano Guys’ new album, Wonders, features successful single releases from the past year such as “Let It Go” from the movie Frozen, “Kung Fu Piano: Cello Ascends,” “Don’t You Worry Child,” and “Story of my Life” available for the first time on CD. The album also includes new songs in their signature style from such artists as Dave Matthews, Phillip Phillips and One Direction, a fun take on various Batman themes throughout the years, “Batman Evolution,” plus original compositions from the band.

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DTS Demo Disc Vol. 20 (2016) Blu-ray 1080p AVC DTS-HD MA 7.1

Offerer: DTS Entertainment
Produced: 2016
Running Time: 54min.
Format: 1080/24p
Video Codec: AVC
Type: BD-25
Size: 16.1GB
Region Code: A,B,C
Packing: Paper Sleeve

Movies:
Dust (2:49) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Exodus: Gods And Kings (1:07) DTS-HD MA 7.1
Furious 7 (1:24) DTS-HD MA 7.1
Giant Killer Plants (2:59) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Gravity (1:26) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Hitman: Agent 47 (1:02) DTS-HD MA 7.1
Jurrassic World (0:46) DTS-HD MA 7.1
Kingsman: The Secret Service (2:35) DTS-HD MA 7.1
The Last Witch Hunter (2:30) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
The Seventh Son (1:50) DTS-HD MA 7.1
Waveform (2:45) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Music:
Claudiu Voicu – Chasing Lights (3:26) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Holly Miranda – All I Want Is To Be Your Girl (2:43) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Imagine Dragons – I Bet My Life (3:42) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Imagine Dragons – Shots (4:01) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Jan Minol – Insight (2:43) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Jesse Harris – Miyazaki (2:38) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Kaya Stewart – Everything I Do Is Wrong (3:38) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Nigel Stanford – Cymatics (5:27) DTS-HD MA 7.1 / DTS:X / DTS Headphone:X
Extras:
DTS:X – All Around Us (0:49) DTS-HD MA 7.1
DTS – Sound Unbound Callout 11.1 (0:42) DTS-HD MA 7.1 / DTS:X
DTS – Sound Unbound Callout 7.1 (0:30) DTS-HD MA 7.1
DTS – Sound Unbound Callout 5.1 (0:25) DTS-HD MA 5.1
DTS Listen (Long) (0:27) DTS-HD MA 7.1
DTS Listen (Short) (0:09) DTS-HD MA 7.1
DTS Listen:X (Long) (0:33) DTS-HD MA 7.1 / DTS:X
DTS Listen:X (Short) (0:09) DTS-HD MA 7.1 / DTS:X
DTS Headphone:X – Callout (0:42) DTS Headphone:X (more…)

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Maceo Parker – Roots Revisited: The Bremen Concert (2015) [Official Digital Download 24bit/192kHz]

Maceo Parker – Roots Revisited: The Bremen Concert (2015)
FLAC (tracks) 24 bit/192 kHz | Time – 02:27:22 minutes | 5,52 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: highresaudio.com | @ Minor Music

Live recordings are, by definition, a snapshot in time, a backbeat of memory, a droplet of adrenalin forever suspended in amber. No live show can be the same as any other. Each encapsulates its own mood, energy levels, inspiration (and mistakes, if they haven’t been edited out …). Often, that can prove its primary strength, when a confluence of musicians appear together, for one night only, in a performance that flares with an intense force. Think of Les McCann’s and Eddie Harris’ Swiss Movement, something of a fluke, a brilliant fluke, recorded at the 1969 Montreux Jazz Festival. But as part of a tour, the most enduring live recordings deliver an additional, broader context, summoning up the overall spirit, the predominant mood, the zeitgeist, of that group of musicians in the process of evolving a chemistry between themselves, as well as with their audiences.

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The Rolling Stones: From the Vault – Live at the Tokyo Dome (1990) SD Blu-ray 1080i AVC DTS-HD 5.1 + BDRip 720p/1080p

Title: The Rolling Stones – From The Vault – Live in Leeds 1982
Release Date: 2015
Genre: Rock
Artist: Mick Jagger – Vocals, Guitar; Keith Richards – Guitar, Vocals; Charlie Watts – Drums; Ronnie Wood – Guitar, Backing Vocals; Bill Wyman – Bass Guitar; Ian Stewart – Piano; Chuck Leavell – Keyboards, Backing Vocals; Gene Barge, Bobby Keys – Saxophone

Production/Label: Eagle Rock Entertainment
Duration: 02:11:21
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC 29822 kbps / 1920*1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: English DTS-HD MA 5.1 / 96 kHz / 8872 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit 
Size: 43.4 GB

Continuing the very successful From The Vault series of classic, previously unreleased Rolling Stones live shows, Live In Leeds 1982 is taken from the band’s performance at Roundhay Park in Leeds, England on 25 July 1982. This show was the last concert on their 1982 European Tour, in support of 1981’s acclaimed Tattoo You album, which would be their last live tour for seven years. About half of the Tattoo You album is included in the set including the hit single ‘Start Me Up’. This would be the last Rolling Stones show to feature Ian Stewart on piano. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show. (more…)

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Shawn Colvin – Uncovered (2015) [Official Digital Download 24bit/88,2kHz]

Shawn Colvin – Uncovered (2015)
FLAC (tracks) 24-bit/88,2 kHz | Time – 52:18 minutes | 1,06 GB | Genre: Singer/Songwriter
Studio Master, Official Digital Download – Source: HDTracks | Artwork: Digital booklet | @ Fantasy Records

On her new album Uncovered, acclaimed singer-songwriter Shawn Colvin shines with sublime sensitivity, casting new light on songs from some of the most admired writers in popular music history. It is a beautifully curated collection that includes interpretations of songs by Bruce Springsteen, Paul Simon, Tom Waits, Stevie Wonder, Graham Nash and more. Multiple Grammy-winner Colvin and Eagles guitarist Steuart Smith re-team to craft unhurried, rich renditions of these compositions, each one loving and heartfelt, serving as an elegant tribute to songwritiing masters. (more…)

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John Scofield – Past Present (2015) [Official Digital Download 24bit/96kHz]

John Scofield – Past Present (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 52:29 minutes | 1,17 GB | Genre: Jazz
Studio Master, Official Digital Download  | Source: HDTracks | Artwork: Digital booklet | @ Impulse Records

9 new tracks composed by master guitarist John Scofield. Bringing back the 1990 band with Joe Lovano, Bill Stewart and Larry Grenadier stepping in for Dennis Irwin and Marc Johnson.

John Scofield updates his early-90s quartet with drummer Bill Stewart and saxophonist Joe Lovano by recruiting bassist Larry Grenadier for his fetching, appropriately titled Impulse! debut, Past Present. The nine exciting tunes Scofield penned on Past Present reflects his philosophy on playing jazz music. He stresses the importance of being knowledgeable of the musics deep, complex roots while simultaneously being spontaneous and in the moment while performing it. For an artist with such a multifaceted discography as Scofields, getting to the root of jazz means channeling the blues, as demonstrated on the discs closing, titled-track. (more…)

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10cc ‎- Deceptive Bends (1977) [Original UK Pressing] {Vinyl Rip 24Bit/96khz}


10cc ‎- Deceptive Bends
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 815 mb
Label: Mercury/6310 502 | Release: 1977 | Genre: Pop-Rock

This was the first album released by the band after the departure of Kevin Godley and Lol Creme. Many wondered at the time if the remaining half, Gouldman/Stewart, could pull off a decent album or would it be a let down. When it came out I rushed out to buy it, hoping it would be pretty good. Well, it was more than pretty good! It’s one of their best. Augmented by Paul Burgess on drums, who had already worked live with the band, Graham and Eric managed to make it sound as if Kevin and Lol had never left! ‘Good Morning Judge’ was a hit in the charts, and is typical 10cc. Clever lyrics are again present and nice guitar from Eric Stewart. Because the original four had quite similar voices at times, it wasn’t too hard to replicate the classic sound here. Graham Gouldman can sound quite like Kevin Godley when he sings deeply, and Eric Stewart can do a falsetto almost as well as Lol Creme. The second track, ‘The Things We Do For Love’ was a decent chart hit, and already heard and known before the album came out. Listening to it, you would swear it was the original four on the record. In fact, before I got the album, I wondered if the track had had the benefit of all four singing on it, because the songs for this album were being written and recorded whilst Godley and Creme were commencing work on their debut opus, ‘Consequences’. I thought maybe they had sung on this before they had left the band. However, they hadn’t. ‘Marriage Bureau Rendezvous’ is sung by Graham. A nice, quite romantic song really, with a good melody and gentle satire in its lyrics, it is instantly hummable.The story, about a man going to a marriage bureau to meet his Mrs Right, only to end up with the girl trying to fix him up with a date, is quite moving, without being mawdling. ‘People In Love’ is a nice ballad, the type this band were expert at writing when the mood took them. Eric sings this one and it’s a straightforward song with minimal satire. ‘Modern Man Blues’ is sung by both Eric and Graham, and has a superb twist when it comes to the chorus. The verse seems to bemoan the fact that the hero of the song has had his wife walk out on him, but the chorus sees him celebrating, now that he is free and able to do what he likes! Classic 10cc. ‘Honeymoon With B Troop’ is quite short and very funny, with classic lines abounding, such as: ‘So, don’t touch her…’ and then the backing vocals sing: ‘bum, bum, bum, bum,bum,bum,bum,bum,’ before the next line: Oh, it’s so fine, and you know what’s mine is mine.’ One of my favourites on the album. ‘I Bought A Flat Guitar Tutor’ is even shorter, and very, very clever. The lyrics contain various references to guitar chords, such as: C what I’m going through, A to B with you, in A flat, by the C. Again, a fave of mine. And the tune is catchy too, with nice guitar work from Eric, reminding us how well the man can play. ‘You’ve Got A Cold’ is probably my least favourite here, but it’s still good. It’s a song about, yes, you’ve guessed it, someone with a cold. Plenty of vocal interplay on this one. Solid stuff. Finally comes the magnum opus, a three part epic called ‘Feel The Benefit’. I played this track again and again when I first heard it. Eric takes the main lead here, though Graham contributes too. Lyrically, it’s quite poignant. The first part is slow paced, the middle part has an infectious rhythm, and the third part reprises the first, ending with a superb guitar solo from Eric. Brilliant stuff! This was the last what I would call ‘classic’ albums from the band, although the next, Bloody Tourists, has its merits too. This deserves four stars, easily.

Review by chessman, progarchives.com (more…)

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The Rolling Stones – From The Vault: Hampton Coliseum, Live 1981 (2014) SD Blu-ray 1080i AVC DTS-HD MA 5.1

Title: The Rolling Stones – From The Vault: Hampton Coliseum, Live 1981
Released: 2014
Genre: Rock
Directed by: Hal Ashby & Tom Trbovich
Performers: Mick Jagger – vocals, guitar; Keith Richards – guitars, vocals; Ronnie Wood – guitars, backing vocals; Bill Wyman – bass guitar; Charlie Watts – drums; Ian Stewart – piano; Ian McLagan – keyboards, backing vocals; Ernie Watts, Boby Keys – saxophone

Released: Eagle Rock Entertainment
Duration: 2:29:51
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio Codec: DTS, AC-3, PCM
Video: MPEG-4 AVC 27513 kbps / 1920 * 1080i / 29,970 fps / 16: 9 / High Profile 4.1
# 1 Audio: English DTS-HD MA 5.1 / 96 kHz / 9048 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio # 2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit

“From The Vault” is a new series of live concerts from The Rolling Stones archive which are getting their first official release. “Hampton Coliseum – Live In 1981” is the first title in this series. The Rolling Stones American Tour in 1981 was the most successful tour of that year taking a then record $50 million dollars in ticket sales. The tour was in support of the critically and commercially successful “Tattoo You” album. There were fifty dates on the tour which ran from Philadelphia at the end of September through to Hampton, Virginia on the 18th and 19th of December. The show on December 18th, which was also Keith Richards’ birthday, was the first ever music concert to be broadcast on television as a pay-per-view event. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.

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