Stevie Ray Vaughan And Double Trouble – In Step (1989) [MFSL 2011] SACD ISO + Hi-Res FLAC

Stevie Ray Vaughan And Double Trouble – In Step (1989) [MFSL 2011]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 41:09 minutes | Scans included | 1,71 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 884 MB
Mobile Fidelity Sound Lab # UDSACD 2077

Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre’s conventions; only on Soul to Soul’s exquisite soul-blues “Life Without You” did he attempt to stretch the boundaries of the form. As it turns out, that was the keynote for In Step, an album where Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight “Change It.” Bramhall proved to be an ideal collaborator for Vaughan; tunes like the terse “Tightrope” and the dense “Wall of Denial” feel so intensely personal, it’s hard to believe that they weren’t the product of just one man. Yet the lighter numbers — the dynamite boogie “The House Is Rockin’” and the breakneck blues of “Scratch-n-Sniff” — are just as effective as songs. Of course, he didn’t need words to make effective music: “Travis Walk” is a blistering instrumental, complete with intricate fingerpicking reminiscent of the great country guitarist Merle Travis, while the shimmering “Riviera Paradise” is every bit as lyrical and lovely as his previous charmer, “Lenny.” The magnificent thing about In Step is how it’s fully realized, presenting every facet of Vaughan’s musical personality, yet it still soars with a sense of discovery. It’s a bittersweet triumph, given Vaughan’s tragic death a little over a year after its release, yet it’s a triumph all the same.

(more…)

Read more

Stevie Ray Vaughan And Double Trouble – Couldn’t Stand The Weather (1984) [MFSL 2010] SACD ISO + Hi-Res FLAC

Stevie Ray Vaughan And Double Trouble – Couldn’t Stand The Weather (1984) [MFSL 2010]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 38:10 minutes | Scans included | 1,56 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 803 MB
Mobile Fidelity Sound Lab # UDSACD 2075

Stevie Ray Vaughan’s second album, Couldn’t Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan’s status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals — not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn’t. Nevertheless, Couldn’t Stand the Weather feels a bit like a holding pattern, since there’s no elaboration on Double Trouble’s core sound and no great strides forward, whether it’s in Vaughan’s songwriting or musicianship. Still, as holding patterns go, it’s a pretty enjoyable one, since Vaughan and Double Trouble play spiritedly throughout the record. With its swaggering, stuttering riff, the title track ranks as one of Vaughan’s classics, and thanks to a nuanced vocal, he makes W.C. Clark’s “Cold Shot” his own. The instrumentals — the breakneck Lonnie Mack-styled “Scuttle Buttin’” and “Stang’s Swang,” another effective demonstration of Vaughan’s jazz inclinations — work well, even if the original shuffle “Honey Bee” fails to make much of an impression and the cover of “Voodoo Chile (Slight Return)” is too reminiscent of Jimi Hendrix’s original. So, there aren’t many weaknesses on the record, aside from the suspicion that Vaughan didn’t really push himself as hard as he could have, and the feeling that if he had, he would have come up with something a bit stronger.

(more…)

Read more

Stevie Ray Vaughan And Double Trouble – Couldn’t Stand The Weather (1984) [Japan 2000] SACD ISO + Hi-Res FLAC

Stevie Ray Vaughan And Double Trouble – Couldn’t Stand The Weather (1984) [Japan 2000]
Stevie Ray Vaughan And Double Trouble – Couldn’t Stand The Weather (1984) [Japan 2000]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 54:36 minutes | Artwork | 2,53 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | NO Artwork | 1,05 GB

Stevie Ray Vaughan’s second album, Couldn’t Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan’s status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals — not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn’t. Nevertheless, Couldn’t Stand the Weather feels a bit like a holding pattern, since there’s no elaboration on Double Trouble’s core sound and no great strides forward, whether it’s in Vaughan’s songwriting or musicianship. Still, as holding patterns go, it’s a pretty enjoyable one, since Vaughan and Double Trouble play spiritedly throughout the record. With its swaggering, stuttering riff, the title track ranks as one of Vaughan’s classics, and thanks to a nuanced vocal, he makes W.C. Clark’s “Cold Shot” his own. The instrumentals — the breakneck Lonnie Mack-styled “Scuttle Buttin’” and “Stang’s Swang,” another effective demonstration of Vaughan’s jazz inclinations — work well, even if the original shuffle “Honey Bee” fails to make much of an impression and the cover of “Voodoo Chile (Slight Return)” is too reminiscent of Jimi Hendrix’s original. So, there aren’t many weaknesses on the record, aside from the suspicion that Vaughan didn’t really push himself as hard as he could have, and the feeling that if he had, he would have come up with something a bit stronger.

(more…)

Read more

Stevie Ray Vaughan And Double Trouble – Texas Hurricane (2014) [APO SACD Boxset] SACD ISO + Hi-Res FLAC

Stevie Ray Vaughan And Double Trouble – Texas Hurricane (2014) [APO SACD Boxset]
PS3 Rip | 6x SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 320:52 mins | Scans included | 12,9 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 6,09 GB

With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the ’80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late ’60s. For about seven years, Stevie Ray Vaughan was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll. This is classic Stevie Ray Vaughan, meticulously remastered from the analog tapes by New York’s Sterling Sound. In each set you’ll receive Texas Flood, Couldn’t Stand the Weather, Soul to Soul, In Step, plus the posthumous classics Family Style and The Sky Is Crying.

About this reissue from Analogue Productions
We’ve gone completely all-out for this project. We’ve used the original 30 inches-per-second, half-inch analog master tapes for all of these studio albums as well as for the bonus tracks included on the SACDs. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. Andy Aledort, senior editor for Guitar World, wrote the liners with contributions from Stevie Ray Vaughan biographer Craig Hopkins. This set includes a deluxe booklet. And all of the records are housed in a deluxe box. This box set will exceed your expectations, whether you’re an LP or SACD enthusiast. We guarantee it.

(more…)

Read more

Steve Winwood – Arc Of A Diver (1980) [Japanese SHM-SACD 2014] SACD ISO + Hi-Res FLAC

Steve Winwood – Arc Of A Diver (1980) [Japanese SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:03 minutes | Scans included | 1,62 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 799 MB

Stephen Lawrence “Steve” Winwood is an English musician whose genres include rock, blue-eyed soul, rhythm and blues, blues rock, pop rock, and jazz. A multi-instrumentalist, he can play keyboards, bass guitar, drums, guitar, mandolin, violin, and other strings. Winwood was a key member of The Spencer Davis Group, Traffic, Blind Faith and Go.

(more…)

Read more

Steve Tyrell – Standard Time (2001) MCH SACD ISO + Hi-Res FLAC

Steve Tyrell – Standard Time (2001)
SACD Rip | SACD ISO | DST64 5.1 & 2.0 > 1-bit/2.8224 MHz | 56:02 minutes | Front/Rear Cover | 3,04 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Cover | 1,21 GB
Features Stereo and Multichannel Surround Sound | Genre: Jazz

Sanitize Tom Waits’s vocal cords, take some of the rasp out of Dr. John’s, put some muscle into Bobby Caldwell’s, combine them and you’ll have an approximation of the quality of Steve Tyrell’s voice. Like his popular 1999 debut, “A New Standard”, this is a meticulously recorded album featuring the great American songbook and some of the best jazz soloists alive, including trumpeter Clark Terry, harmonica player Toots Thielemans, and singer Jane Monheit, who plays Lucille Ball and Betty Carter against Tyrell’s Red Skelton and Ray Charles on the classic duet “Baby It’s Cold Outside”. Tyrell complements each of his partners with the kind of empathy that makes them shine as bright as his irresistible voice. Plas Johnson’s saxophone take on “That Old Feeling,” for instance, is highly reminiscent of the symbiotic musical partnership that Lester Young created with Billie Holiday more than half a century ago. Also like his first record, it is the creative arrangements of guitarist Bob Mann and pianist Joe Sample that make these 16 tracks work so well.

(more…)

Read more

Steve Strauss – Sea Of Dreams (2015) SACD ISO + Hi-Res FLAC

Steve Strauss – Sea Of Dreams (2015)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:13 minutes | Scans NOT included | 2,38 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,05 GB
Genre: Blues, Folk

The Return of the Songwriter-Hero: No need for a clock or a calendar; Steve Strauss ticks in much more expansive dimensions. Roughly 10 years after his success with “Just Like Love” the singer & composer now presents his new album: “Sea of Dreams”. Why did it take so long?

(more…)

Read more

GVSU New Music Ensemble – Steve Reich: Music For 18 Musicians (2007) MCH SACD ISO + Hi-Res FLAC

GVSU New Music Ensemble – Steve Reich: Music For 18 Musicians (2007)
PS3 Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 61:27 minutes | Scans included | 3,01 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,05 GB

The pulsations of Steve Reich’s landmark Music for 18 Musicians signify a New Music precipice. Where so much music after World War II explored extremes of tone, time, and register, Reich–and some of his colleagues in the 1960s and after–gravitated towards immersion in repetitions and telescoped focus on tonal areas. The combination of piano, vibraphone, marimba, xylophone, clarinets, violin, cello, and female voices is intoxicating in Reich’s hands. Reich creates a middle-register, ringing vamp with burnished reed palpitations and, eventually, quick, rolling piano figures emerge in tandem with the percussion. This recording is the second-best known, next to the ECM Records version of the piece, and is warm and colorfully tingling.

(more…)

Read more

Steven Vidaic – Hearts Look Twice (2011) MCH SACD ISO + Hi-Res FLAC

Steven Vidaic – Hearts Look Twice (2011)
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 40:43 minutes | Scans included | 3,55 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 794 MB

Steven Vidaic is an American musician, songwriter, and producer. He owns Immersive Records and Studios in Boulder, CO. He currently performs and records with Citizen Cope, Goodbye Champion and as a solo artist. In addition, he produces records for a wide variety of artists. Steven was awarded a Grammy in 2010 for his contributions as a Recording Engineer. This album is Vidaic’s debut solo release bearing his own name. Known most prominently as Citizen Cope’s keyboard player, Vidaic is featured here as songwriter, singer, and rhythm guitarist.

(more…)

Read more

Steven Isserlis – Re-Visions (2010) MCH SACD ISO + Hi-Res FLAC

Steven Isserlis – Re-Visions (2010)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 58:11 minutes | Digital Booklet | 2,58 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 995 MB
Features Stereo & Multichannel Surround Sound | BIS Records # BIS-SACD-1782

Cellist Steven Isserlis once again displays his ingenuity and innovation in programming on this 2010 release combining four works for cello and orchestra that wouldn’t even exist without him: all arrangements were made at his personal request, each one by the arranger of his personal choice. The most radical reworking is the opening selection, based on a suite composed for cello and orchestra by a 19-year-old Debussy, which only survived in a version for cello and piano. In her imaginative reconstruction of, or rather replacement for, Debussy’s original composition, Sally Beamish uses the piece as the opening movement, going on to construct orchestral arrangements of four other Debussy works from the same period. Isserlis also includes revisions of two Ravel songs, Prokofiev’s incomplete Concertino and Ernest Bloch’s From Jewish Life, ending with the movement entitled Prayer. Throughout the fascinating programme, Isserlis is backed by the Tapiola Sinfonietta conducted by Gábor Takács-Nagy.

(more…)

Read more

Steve Nelson Jazz Quartet – Jitterbug Waltz (2019) [Venus Japan] SACD ISO + DSF DSD64 + Hi-Res FLAC

Steve Nelson Jazz Quartet – Jitterbug Waltz (2019) [Venus Japan]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 60:01 minutes | Front/Rear Covers | 2,42 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,38 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Front/Rear Covers | 1,34 GB

Steve Nelson is an American vibraphonist, and has been a member of Dave Holland’s Quintet and Big Band for more than a decade. He graduated from Rutgers University with both Master’s and Bachelor’s degrees in music, and his teaching activities have included a position at Princeton University. As a resident of the New York City area he has performed and recorded with many musicians, including Kenny Barron, Bobby Watson, Mulgrew Miller, David “Fathead” Newman, Johnny Griffin, and Jackie McLean. He has appeared at concerts and festivals worldwide and has made recordings as the leader of his own group. This release for Japanese Venus Records features Massimo Farao’ on piano behind the others.

(more…)

Read more

Steve Nelson Jazz Quartet – Easy Living (2017) [Japan 2018] SACD ISO + Hi-Res FLAC

Steve Nelson Jazz Quartet – Easy Living (2017) [Japan 2018]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 60:18 minutes | Front/Rear Covers | 2,44 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,2 GB

Steve Nelson is an American vibraphonist, and has been a member of Dave Holland’s Quintet and Big Band for over a decade. He graduated from Rutgers University with both Master’s and Bachelor’s degrees in music, and his teaching activities have included a position at Princeton University. He has appeared at concerts and festivals worldwide and has made recordings as the leader of his own group. As a resident of the New York City area he has performed and recorded with many musicians, including Kenny Barron, Bobby Watson, Mulgrew Miller, David “Fathead” Newman, Johnny Griffin, and Jackie McLean.

(more…)

Read more

Steve Kuhn Trio – Pavane For A Dead Princess (2006) SACD ISO + Hi-Res FLAC

Steve Kuhn Trio – Pavane For A Dead Princess (2006)
Pio BDP-80FD Rip | SACD ISO | DST64 2.0 >1-bit/2.8224 MHz | Front+Back | 2.84 GB
FLAC tracks 2.0 24bit/88.2 kHz | Front+Back | 1.42 GB
Genre: Jazz

Pianist Steve Kuhn, accompanied by David Finck and Billy Drummond, explore classical works by a number of top composers from the 19th and 20th centuries on this Japanese release, though they are used as a launching pad for improvisation. Maurice Ravel’s “Pavane for a Dead Princess” is recast as a soft samba, also incorporating a bit of an earlier standard that was derived from the French Impressionist’s piece, “The Lamp Is Low.” Chopin is obviously one of Kuhn’s favorite classical composers, as three of his features, highlighted by a dreamy setting of “Nocturne in E Flat Major, Op. 9, No. 2.” He brightens the tempo of Claude Debussy’s “Reverie” while retaining its lyricism, while slowing Johannes Brahms’ “Lullaby” to a crawl and demonstrating how a master jazz pianist utilizes space as an element of improvisation.

(more…)

Read more

Steve Earle – Guitar Town (1986) [Reissue 2002] SACD ISO + Hi-Res FLAC

Steve Earle – Guitar Town (1986) [Reissue 2002]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 39:46 minutes | Scans included | 1,64 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 817 MB

In the strictest sense, Steve Earle isn’t a country artist; he’s a roots rocker. Earle emerged in the mid-’80s, after Bruce Springsteen had popularized populist rock & roll and Dwight Yoakam had kick-started the neo-traditionalist movement in country music. At first, Earle appeared to be more indebted to the rock side than country, as he played a stripped-down, neo-rockabilly style that occasionally verged on outlaw country.

(more…)

Read more

Steppenwolf – Steppenwolf (1968) [Analogue Productions Remaster 2013] SACD ISO + Hi-Res FLAC

Steppenwolf – Steppenwolf (1968) [Analogue Productions Remaster 2013]
PS3 Rip | ISO | SACD DSD64 Stereo > 1-bit/2.8224 MHz | 46:57 minutes | Scans included | 1,89 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 895 MB

Steppenwolf entered the studio for their recording debut with a lot of confidence — based on a heavy rehearsal schedule before they ever got signed — and it shows on this album, a surprisingly strong debut album from a tight hard rock outfit who was obviously searching for a hook to hang their sound on. The playing is about as loud and powerful as anything being put out by a major record label in 1968, though John Kay’s songwriting needed some development before their in-house repertory would catch up with their sound and musicianship. On this album, the best material came from outside the ranks of the active bandmembers: “Born to Be Wild” by ex-member Mars Bonfire, which became not only a chart-topping high-energy anthem for the counterculture (a status solidified by its use in Dennis Hopper’s movie Easy Rider the following year), but coined the phrase heavy metal, thus giving a genre-specific name to the brand of music that the band played (and which was already manifesting itself in the work of bands like Vanilla Fudge and the just-emerging Led Zeppelin); the Don Covay soul cover “Sookie, Sookie,” which, as a single by the new group, actually got played on some soul stations until they found out that Steppenwolf was white; two superb homages to Chess Records, in the guise of “Berry Rides Again,” written (though “adapted” might be a better word) by Kay based on the work of Chuck Berry, and the Willie Dixon cover “Hoochie Coochie Man”; and Hoyt Axton’s “The Pusher,” an anti-drug song turned into a pounding six-minute tour de force by the band. The rest, apart from the surprisingly lyrical rock ballad “A Girl I Knew,” is by-the-numbers hard rock that lacked much except a framework for their playing; only “The Ostrich” ever comes fully to life among the other originals, but the songs would catch up with the musicianship the next time out.

(more…)

Read more
%d bloggers like this: