Madonna – Madonna (1983/2012)
FLAC (tracks) 24 bit/192 kHz | Time – 41:13 minutes | 1,52 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Sire – Warner Records
Madonna’s multi-platinum self titled debut saw the arrival of one of music’s greatest. The cultural icon began leaving her imprint on the music scene popularizing dance music. A showcase of her dynamic vocals, the album peaked at #8 on Billboard’s Top 200. Included on this intoxicating album were the breakout hits, “Burning Up,” “Everybody,” “Holiday” “Borderline” and “Lucky Star.” The album shot Madonna to worldwide stardom, available now as a pristine hi-res download.
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Madonna – Madame X (Deluxe) (2019)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:04:38 minutes | 1,22 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Boy Toy, Inc., Exclusively licensed to Live Nation Worldwide, Inc. Exclusively licensed to Interscop
Madame X is the fourteenth studio album by American singer and songwriter Madonna. It was released on June 14, 2019, by Interscope Records. The album was creatively influenced by her expatriate life in Lisbon, Portugal, after relocating there in summer 2017. Madonna co-wrote and co-produced the album with a number of musicians, including Mirwais, Mike Dean, and Jason Evigan. It also features guest performances by Maluma, Quavo, Swae Lee, and Anitta.
The album was promoted by the singles “Medellín” and “Crave”, as well as three other promotional singles preceding the album’s release. The Madame X Tour, an all-theatre tour in North America and Europe, is scheduled to begin on September 12, 2019. Music critics gave generally positive reviews for the album, praising its unique and experimental composition. Madame X debuted atop the Billboard 200 chart, becoming her ninth number-one album in the United States.
Read moreMadonna – Madame X – Music From The Theater Xperience (2021) [Official Digital Download 24bit/48kHz]
Madonna – Madame X – Music From The Theater Xperience (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:32:48 minutes | 1,13 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Warner Records
Ahead of The upcoming Madame X documentary film (mainly concert, plus her views on the US especially the political climate during the US Leg of the Tour and her hip injury)..Madonna has a new Live album For Madame X tour Paramount + (US, Australia) and MTV for the rest of the world.
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Madonna – Who’s That Girl (1987/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 39:52 minutes | 905 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Sire – Warner Records
This inspired self-titled soundtrack for the hit motion picture film, “Who’s That Girl,” finds the iconic singer-songwriter Madonna accompanied by label mates, Scritti Politti, Club Nouveau, Duncan Faure, Coati Mundi, and Michael Davidson. The album packed with numerous catchy pop gems includes the hits “Who’s That Girl” and “Causing a Commotion.” The fun, upbeat album is a pop sensation and the perfect accompaniment to Madonna’s infectious 1987 comedy!
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Madonna – True Blue (1986/2012)
FLAC (tracks) 24 bit/192 kHz | Time – 40:24 minutes | 1,45 GB | Genre: Album
Studio Masters, Official Digital Download | Front Cover | © Sire – Warner Records
Icon and legend, Madonna’s multi-platinum smash record, True Blue yielded five top 5 Billboard singles, including “Live To Tell,” “Open Your Heart,” and “Papa Don’t Preach,” all of which topped the charts. The album encompasses Madonna’s visions on love, dreams and disappointment, dedicated and inspired by her then husband Sean Penn. A global success, the album reached #1 in over twenty-five countries and featured the stylistic figure’s provocative lyrics and dance-pop melodies. The album is a full display of Madonna’s talents as a songwriter, innovator and entertainer, available now as a pristine hi-res download!
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MADOCA – Illusions of Love (2017/2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 43:21 minutes | 520 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © City Sketches Inc
Madoca Kawahara a.k.a. MADOCA [pronounced “ma du ka”] is a Japanese American producer, pianist/ keyboardist/ composer. Her style consists of contemporary/ classic jazz, fusion, soul, funk, Latin and Salsa blended together to provide sustenance for your mind and soul. Madoca’s latest release, “Illusions of Love” (produced by Pianist/Arranger/Composer Bob Baldwin), showcases the growth and maturity of this very talented underrated artist from Atlanta, GA.
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MadMan´s Choice – Vanity (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:58 minutes | 478 MB | Genre: Alternative Rock, Alternative Metal
Studio Masters, Official Digital Download | Front Cover | © Rambo
Gothenburg, Sweden-based metal band MadMan’s Choice present Vanity, a ten-track record of heaviness mixed with stoner rock chill and stunning vocal harmonies. Drawing from influences like The Smashing Pumpkins, Porcupine Tree and the Deftones, the group puts forth a cohesive, forward-looking sound with this release.
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Madison Leonard, Shea Owens, Artem Belogurov – To the Thawing Wind (2021)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:02:50 minutes | 946 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © TRPTK
Record label TRPTK has released the new album To The Thawing Wind, which focuses on classical songwriting.
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Madison Cunningham – Who Are You Now (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 40:15 minutes | 856 MB | Genre: Indie Folk, Singer-Songwriter
Studio Masters, Official Digital Download | Front Cover | © Verve Forecast
With Who Are You Now, Madison Cunningham traces her own path from SoCal teenager to independent adult, setting that paradigm-shifting transition to a soundtrack of honest, heartfelt music. It’s a revised spin on the singer-songwriter format, as well as a jolt of electric energy in a genre often ruled by acoustic instruments. Thanks to Cunningham s autobiographical wiring. Who Are You Now also answers the question posed by the album’s title. Introducing a young musician who’s learned to balance the fresh with the familiar.
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Madison Cunningham – For The Sake Of The Rhyme (EP) (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 24:08 minutes | 469 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Verve Forecast
At 20 years old, Madison Cunningham has already established herself as a dazzling and gifted singer-songwriter. Her EP, Love, Lose, Remember, came out in 2017. A regular musician on this season of Live from Here, Madison recently took some time to tell us a bit about her childhood, writing process, and some of the songs and artists that inspire her. You debuted this otherworldly, gorgeous new song on the show in mid-January called “Beauty Into Clichés.” Can you talk about its inspiration? It’s breathtaking.
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Madison Beer – Life Support (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 46:31 minutes | 533 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Epic – Sing It Loud
At 21, pop singer and TikTok star Madison Beer has spent an uncomfortable amount of her career navigating mini “scandals”—accusations that she copied Ariana Grande, that she lied about plastic surgery, that she romanticized Lolita. Beer signed to Island when she was 13, shortly after Justin Bieber tweeted one of her many YouTube covers, Etta James’ “At Last”; three years later, she split from the label, saying she felt “trapped” by the “Disney queen” image thrust upon her. The internet deals in absolutes, particularly for young women: She’s either fake or so raw it’s empowering; she’s rebelling against the patriarchy or bowing to it; she’s subversive or she’s derivative. Beer’s debut album is muddier. Life Support is rooted in authenticity but still layered in artifice, molded in the conventions of pop’s more unconventional players.
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Stradivaria, Les Cris de Paris, Daniel Cuiller – Henry Madin: Te Deum pour les victoires de Louis XV (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:04 minutes | 1,32 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
Pour la premire fois depuis sa cration au XVIII sicle, le Te Deum pour les Victoires de Louis XV d’Henry Madin rsonne en 2015 dans la Chapelle Royale de Versailles. Stradivaria, ensemble baroque de Nantes dirig par Daniel Cuiller, et Les Cris de Paris, choeur de chambre dirig par Geoffroy Jourdain, reprennent l’oeuvre du compositeur n Verdun en 1698 et qui fut sousmatre de la Chapelle du Roi partir de 1738. L’interprtation du Te Deum, le plus long compos sous l’Ancien Rgime, est complte par celle du Diligam te, Domine, l’une des oeuvres principales de Madin qui s’inscrit dans le style du motet grand choeur. Lors d’un concert unique et immortalis, les deux oeuvres ont repris vie dans ce lieu historique hautement symbolique et sont prsentes aujourd’hui dans la Collection Alpha / Chteau de Versailles qui compte dsormais plus d’une dizaine de titres.
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Dennis Russell Davies, Orchestra della Svizzera Italiana – Maderna & Berio: Now, and Then (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:32 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © ECM
Don’t be fooled by the album cover: the music recorded here is NOT Maderna, but Frescobaldi, Gabrieli and a few other composers from the same era, only orchestrated by Maderna. Among these late Renaissance and baroque works, as re-written, can be found, as a kind of pillar whose meaning in the album rather defies comprehension, theSequenza XII by Berio which was initially conceived for a guitar solo and transcribed by the composer for guitar and chamber orchestra under the name of Chemins V. The whole work is about orchestrations, re-editions, translations from other eras. When it comes to Maderna and other old composers, the interest is neither musicological nor historical, as the orchestrations were done in the 20th Century, with 20th-Century orchestral techniques. Maderna’s work, dating from the 1950s to the 1970s, bears witness to the widespread interest in masters from the past, with new editions, exhumations, rediscoveries; and Monteverdi was played without overmuch concern for period instruments – even if Hindemith, for example, tried to perform L’Orfeo with what old instruments he was able to gather… Seen from this point of view, the Maderna orchestrations are almost recompositions, although without ever betraying or travestying the manuscript, as Stravinsky did with Pergolese: it sticks, for example, to a “baroque” orchestra from our times, without instruments which did not exist at the time. A truly interesting recording.
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Madeon – Adventure (Deluxe) (2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:05:42 minutes | 804 MB | Genre: Electronic, Dance
Studio Masters, Official Digital Download | Front Cover | © Columbia
“Adventure” is the debut studio album by French electronic music producer Madeon. The album comes in standard and deluxe versions and is currently available for digital download and also available in CD format. The standard version includes 12 tracks, featuring talent and vocals from Kyan, Dan Smith from Bastille, Passion Pit, Mark Foster from Foster the People and Aquilo. The deluxe version also includes previously released singles Icarus, Finale, The City, Cut the Kid, Technicolor and a bonus track in collaboration with Vancouver Sleep Clinic.
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Madeline Kenney – Perfect Shapes (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 37:39 minutes | 684 MB | Genre: Indie, Dream Pop, Female Vocal, Singer-Songwriter
Studio Masters, Official Digital Download | Front Cover | © Carpark Records
Following her dreamy, artfully textured debut, 2017’s Night Night at the First Landing, by about a year, Perfect Shapes finds a more explorative Madeline Kenney, both stylistically and timbrally. Venturing into bolder indie electronica and time-shifting experimental rock, the album was produced by Wye Oak’s Jenn Wasner and features more prominent synths and electronics. Both women played multiple instruments on the record. While no track is representative of the whole album, opener “Overhead” (the one song here produced by Ben Sloan rather than Wasner) establishes its contrasting timbres and mix of lyricism and atmosphere. Clanging, industrial percussion is combined with muted drums, spacy synths are joined by rumbling guitar tones, and twinkling keyboards and guitar float over a distinct, funky bass on a song that wonders “So now what’s the light I’m living in?/No sound, just the colors coming in.” The quirkier, more syncopated “Cut Me Off” seems descended from Talking Heads, while the drifting “I Went Home” offers borderline jammy rock. Elsewhere, the playful, surprising “The Flavor of the Fruit Tree” borrows from woozy alt-R&B, bleepy synth pop, and stylized vocal-era pop. With the exception of Kenney’s consistently breezy, warm vocals, altogether, the album comes off as unpredictable as that sounds, especially compared to her relatively intimate debut. However, for those who aren’t put off by its favoring crafted texture and melody over mood or structure, it’s also absorbing, offering layers to uncover with repeat listens. Trivia of note: Perfect Shapes is Wasner’s first time producing music that isn’t her own. – Marcy Donelson
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